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CLASS:PUBLIC
UID:MEC-7f6eb6c7179a3ac30c6f14acdcf95ff4@ramonahillsideplayers.org
DTSTART;TZID=America/Los_Angeles:20250325T190000
DTEND;TZID=America/Los_Angeles:20250325T210000
DTSTAMP:20250212T144122Z
CREATED:20250212
LAST-MODIFIED:20250212
PRIORITY:5
SEQUENCE:2
TRANSP:OPAQUE
SUMMARY:Auditions for “The Musical Comedy Murders of 1940”
DESCRIPTION:Ramona Hillside Players in Hemet, CA will hold open auditions for “The Musical Comedy Murders of 1940″.\nWritten by John Bishop\nDirected by Danny Guerrero\nAuditions March 24th & 25th, 2025\nAll auditions begin at 7:00 PM\nPerformance dates are May 23rd, 24th, 25th, 30th, 31st, & June 1st, 2025 @ RHP in Hemet\nThe audition will consist of cold readings from the script. Please come prepared with a resume, headshot (It doesn’t need to be professional. A regular picture of yourself will do), pen/pencil, and a list of conflicts.\nTHE STORY: The creative team responsible for a recent Broadway flop (in which three chorus girls were murdered by the mysterious “Stage Door Slasher”) assemble for a backer’s audition of their new show at the Westchester estate of a wealthy “angel.” The house is replete with sliding panels, secret passageways, and a German maid who is apparently four different people—all of which figure diabolically in the comic mayhem which follows when the infamous “Slasher” makes his reappearance and strikes again—and again. As the composer, lyricist, actors, and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the “Slasher” unmasked—but not before the audience has been treated to a sidesplitting good time and a generous serving of the author’s biting, satiric, and refreshingly irreverent wit.\nCAST OF CHARACTERS:\n*** All Ages are Relative ***\nHelsa Wenzel\nHelsa is the maid of the Grossenknueten estate.\nElsa Von Grossenknueten\nElsa is the eccentric owner of the mansion and is the financial backer of many musicals. Elsa summons the group together in an attempt to find out who murdered her “friend” Bebe McAllister. She is extremely eccentric, and thinks that the idea of chasing after a killer is great fun. Her grandfather was a spy, and she claims that espionage runs in her blood.\nMichael Kelly\nKelly is an undercover cop. Elsa appeals to him to help solve the mystery of the Stage Door Slasher, and Kelly at first pretends to be her butler. Kelly’s tough, no-nonsense attitude puts him at odds with Elsa and the dramatic types that visit. He eventually reveals his identity as a New York police officer, much to Elsa’s dismay.\nPatrick O’Reilly\nO’Reilly claims to be an Irish tenor, but he is very suspicious, especially with regard to the mysterious Helsa. The two engage in a physical brawl. Eventually, O’Reilly claims to be “Tony Garibaldi”, an undercover cop with a Bronx accent-only to reveal himself as a Gestapo Agent named Klaus Stansdorff, sent to find German defectors.\nKen De La Maize\nKen is a “typical” director, speaking of theater as a “pure art.” He also has an annoying habit of name-dropping, constantly citing the various celebrities he has worked with over the years. Everyone always claims to have seen the films he makes, only for him to reveal that they have not yet been released.\nNikki Crandall\nNikki is considered a typical chorus girl-but she is eventually revealed to be Ensign Nicole Crandall, of United States Naval Intelligence. Her secret mission was to find the Germans who were sent over to sabotage the American war efforts. She is also interested in solving the mystery of the Stage Door Slasher, and helps to break the code in Bebe’s notebook.\nEddie McCuen\nEddie is the out of work comedian that ties the different story lines together, and goes from being cowardly at the beginning of the play to heroic at the end. He is attracted to Nikki, but fumbles when he tries to talk to her. He was a replacement for an actor, and thus has no connection to Manhattan Holiday.\nMarjorie Baverstock\nMarjorie is a Broadway producer. She constantly flatters everyone around her, and speaks in elevated language; her “new word” is “divoon.”\nRoger Hopewell\nRoger is the composer for “White House Merry-Go-Round”, and Bernice’s partner; the two have had a string of Broadway hits. Roger enjoys teasing Ken about his artistic ways, and makes snide remarks throughout the play, but flares up whenever someone insults his musical style. He also knows how to deal with Bernice’s many quirks.\nBernice Roth\nThe perpetually thirsty lyricist, she is Roger’s partner. Bernice is very odd and emotional, frequently losing her composure and screaming.\n27402 Ramona Bowl Road\nHemet, CA 92544\n
URL:https://ramonahillsideplayers.org/events/auditions-for-the-musical-comedy-murders-of-1940-2/
ORGANIZER;CN=Ramona Hillside Players:MAILTO:playersrhp@ramonahillsideplayers.org
CATEGORIES:Auditions
LOCATION:27402 Ramona Bowl Road, Hemet, CA 92544
ATTACH;FMTTYPE=image/jpeg:https://ramonahillsideplayers.org/wp-content/uploads/2025/02/mcmo1940_auditions.jpg
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