2025-2026 RHP Director Application


Phone: (951) 658-5300
Address: 27402 Ramona Bowl Road, Hemet, CA 92544

Dear Applicant for Director,

Please do read this letter through as it contains some important information which would be beneficial for you to know before applying to direct at Ramona Hillside Players.

Ramona Hillside Players is currently accepting applications for Director for the 2025-2026 Season.

The production schedule for our upcoming Season is included.  Be sure to read all of this information as it may affect your ability to fulfill the requirements of the position you seek.  Also please carefully complete the section regarding your preference of plays.

Given the busy schedules of those involved in theatre, we like to know that you are able to give enough time to ensure a well-rehearsed production.   There is a place on the form for you to provide plans for your rehearsal schedule, like Mon. – Fri. from 7 to 10 P.M.  For those plays for which you are applying we ask that you also indicate your creative intentions.  Just a single sentence is fine as long as it explains your concept.  For example, if The Glass Menagerie is one of your choices, your description could be “I plan to do this in its traditional period and style”.

The application deadline is April 12th, 2025.  If there are difficulties in meeting this deadline, please send an E-Mail to .   Successful candidates will be required to meet with Board Members in person or over the phone at a later date.  It is also strongly recommended you attend our Annual Meeting and Awards Ceremony taking place on June 29th, 2025 from 2pm - 4pm.  Here you will talk about the play you are directing to members and the audience.

Completed applications can be submitted via this online form.   

Thank you very much for your interest in participating at Ramona Hillside Players.

Director Stipend and Requirements

Director’s Allotment:  $500.00

The compensation for the Stage Manager $400.00 and will be paid separately.  There is $600 allocated for Lighting/Sound and Set Construction that will be paid separately as allocated by the director. This allocation must be approved by the board of directors.

Any further compensation must be approved by the Board prior to arranging for said services.

Additional Costs: Anticipated by Director – Budgeted ~ $200.00

This item includes materials, paint, wallpaper, props, makeup and other required purchases to put on the contracted play. Any additional funds needed must be submitted to the Board for approval prior to expenditure.     

Notice: Final payment of allotment funds is contingent upon striking the stage as enumerated below. Walk-through inspections will be conducted with an RHP Board representative before rehearsals begin and after the play closes and sets are struck. All keys must be returned at final inspection walk-through.

Casting:  The audition format is at the discretion of the director. Auditions are to take place on the specified dates. Pre-casting is only allowed with permission from the Board of Directors. Director will contact the board liaison with the cast names for announcements. Results of auditions will be posted on Facebook and our Website.

Set Completion: The director is responsible for assembling their crew of Stage Manager, Light/Sound and Set construction.  Director agrees that the set will be completed no later than the Tuesday prior to opening night to allow time for the theater to be cleaned.

Strike:

The director is expected to have completed strike for their production by the second day after the close of their production. The departing cast and crew are responsible for strike which includes:

  • Removing all furniture and props to the proper storage area
  • Disassembling all flats, risers, and set dressings to be returned to the proper storage area
  • Returning all costumes to the proper storage area
  • Sweeping and cleaning the stage, wing space, dressing rooms, and costume/makeup areas
  • Cleaning and vacuuming the green room
  • Empty cast/crew property and clean the back room refrigerator
  • Cleaning the backstage bathrooms, toilets and sinks
  • Emptying the stage and backstage trash
  • Cleaning and returning work room to proper order by putting paint, tools and hardware in their proper place

Finally, coordination between the director, cast and crew of the incoming production with those of the previous production is encouraged to determine stage use and needs which may allow for the retaining of set elements if necessary. The director is expected to inform the RHP Board of any repairs that need to be completed

Ramona Hillside Playhouse

When applying to direct, please understand the space available for use.  We are a small 97-seat community theater and the stage may be smaller than what you are used to.  Below are pictures of the seating and past sets to give you an idea of what is possible.

Production Schedule

Directors are required to be at all performances unless prior arrangements have been made with a member of the Board.

Performance Times
Fridays 7:30 PM
Saturdays 2:30pm & Sundays 2:30 PM

The first Saturday show is usually a Benefit Performance for a local community organization.  This is where an organization has purchased the entire theatre which they then use as a fundraising event.  (If no benefit can be found, then we open the show to the general public.)

1st Production

Arsenic and Old Lace

Written by Joseph Kesselring

Full Length, Comedy
11 men, 3 women

THE STORY: Drama critic Mortimer Brewster’s engagement announcement is upended when he discovers a corpse in his elderly aunts’ window seat. Mortimer rushes to tell Abby and Martha before they stumble upon the body themselves, only to learn that the two old women aren’t just aware of the dead man in their parlor, they killed him! Between his aunts’ penchant for poisoning wine, a brother who thinks he’s Teddy Roosevelt, and another brother using plastic surgery to hide from the police—not to mention Mortimer’s own hesitancy about marriage—it’ll be a miracle if Mortimer makes it to his wedding. Arsenic and Old Lace is a classic black comedy about the only thing more deadly than poison: family.

Runs: September 12, 13, 14, 19, 20 & 21, 2025

Auditions: July 14 & 15, 2025

Rehearsal Time: 8 Weeks

2nd Production

Our town

Written by Thornton Wilder

Full-Length Play, Drama
7 women, 17 men

THE STORY: Our Town presents the small town of Grover’s Corners in three acts: “Daily Life,” “Love and Marriage” and “Death and Eternity.” Narrated by a stage manager and performed with minimal props and sets, the play depicts the simple daily lives of the Webb and Gibbs families as their children fall in love, marry, and eventually – in one of the most famous scenes in American theatre – die. Thornton Wilder's final word on how he wanted his play performed is an invaluable addition to the American stage and to the libraries of theatre lovers internationally.

Runs: November 14, 15, 16, 21, 22 & 23, 2025

Auditions: September 15 & 16 , 2025

Rehearsal Time: 8 Weeks

3rd Production

To be announced

The director has already been chosen for this production as it is an orignal play written by the director.  No director submissions will be accepted for this production.

Runs: January 16, 17, 18, 23, 24 & 25, 2026

Auditions: November 17 & 18, 2025

Rehearsal Time: 8 Weeks

4th Production

THE RAINMAKER

Written by N. Richard Nash

Full Length, Comedy
1 woman, 6 men

THE STORY: At the time of a paralyzing drought in the West we discover a girl whose father and two brothers are worried as much about her potential future as an old maid as they are about their dying cattle. For the truth is, she is indeed a plain girl. The brothers try every possible scheme to marry her off, without success. Nor is there any sign of relief from the dry heat, when suddenly, from out of nowhere, appears a picaresque, sweet-talking man with quite the sales pitch. Claiming to be a “rainmaker,” the man promises to bring rain, for $100. It’s a silly idea, but the rainmaker is so refreshing and persistent that the family finally consents, banging on big brass drums to rattle the sky. Meanwhile, the rainmaker also turns his magic on the girl, and persuades her that she has a very real beauty of her own. She believes it, just as her father believes the fellow can actually bring rain. Rain does come, and so does love.

Runs: March 20, 21, 22, 27, 28 & 29, 2026

Auditions: January 19 & 20, 2026

Rehearsal Time: 8 Weeks

5th Production

Twelfth Night

Written by William Shakespeare

Full-Length Play, Comedy
14 men, 3 women, 3 any

THE STORY: The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola (disguised as a page named 'Cesario') falls in love with the Duke Orsino, who in turn is in love with Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her, thinking she is a man.

Runs: May 22, 23, 24, 29, 30, 31, 2026

Auditions: March 23 & 24, 2026

Rehearsal Time: 8 Weeks

2025-2026 Season Theme

The Board has decided to have each Season based around a central theme.  The theme for this upcoming Season is "Classic Americana".

We are looking for a vision that fits this theme and that includes the production of "Twelfth Night".

Director Information

Name
Address

A resume and three letters of recommendation are required unless you have worked in this capacity for RHP within the last 5 years. Incomplete applications will not be considered unless prior arrangements have been made.  Education and experience related specifically to the position for which you are applying should be clearly noted, especially experience with theatre in general or intimate settings.  (PLEASE NOTE:  Experience in directing isn't required as we have chosen many first time directors in the past.  However, if this is the case, your theatre experience as an actor/actress, stage manager, technical director, etc. will come into play.)

Drag & Drop Files, Choose Files to Upload You can upload up to 4 files.
Upload Resume & Letters of Recommendation
Are you able to build your own set or do you have someone who is able to?

Production Availability and Interest

Please check your schedules for the rehearsal periods and performances (including those for the Benefit Nights) for any conflicts. In order of preference, with the number one ( 1 ) being your first choice, please fill in the blanks by each play. Should you not be available for a particular production, or if you do not want to apply for a production, please put NO in the blank. For us to be certain of your availability and interest, be sure that each of the productions has either a number or a NO beside it.
Performances: September 12, 13, 14, 19, 20 & 21, 2025 Auditions: July 14 & 15, 2025
Performances: November 14, 15, 16, 21, 22 & 23, 2025 Auditions: September 15 & 16, 2025
Performances: March 20, 21, 22, 27, 28 & 29, 2026 Auditions: January 19 & 20, 2026
Performances: May 22, 23, 24, 29, 30, 31, 2026 Auditions: March 23 & 24, 2026