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Springtime 2025 @ RHP

Springtime 2025 @ RHP

Posted: March 21, 2025/Under: /By: rhp_master

 

Springtime brings lots of activity at Ramona Hillside Players.

First up, our 4th production of our 2024-2025 Season opens tonight March 31st.  Get your tickets to this classic murder mystery play now.

Ramona Hillside Players in Hemet, CA presents “The Mousetrap” by Agatha Christie.

March 21st, 2025 @ 7:30pm
March 23rd, 2025 @ 2:30pm
March 28th, 2025 @ 7:30pm
March 29th, 2025 @ 2:30pm
March 30th, 2025 @ 2:30pm

Opening Night Admission is $15.00 per seat.
Single Admission (everyone) is $20.00 per seat.
Group Discount available for 10 or more seats.

Purchase Online Tickets: https://ramonahillsideplayers.org/tickets

Make Phone Reservations: (951) 658-5300

After a local woman is murdered, the guests and staff at Monkswell Manor find themselves stranded during a snowstorm. It soon becomes clear that the killer is among them, and the seven strangers grow increasingly suspicious of one another. A police detective, arriving on skis, interrogates the suspects: the newlyweds running the house; a spinster with a curious background; an architect who seems better equipped to be a chef; a retired Army major; a strange little man who claims his car has overturned in a drift; and a jurist who makes life miserable for everyone. When a second murder takes place, tensions and fears escalate. This record-breaking murder mystery features a brilliant surprise finish from Dame Agatha Christie, the foremost mystery writer of her time.

CAST:
Mollie Ralston: Kamryn Putney
Giles Ralston: Owen Newborn
Christopher Wren: Jeremy Niemi
Mrs Boyle: Kathleen Walker
Major Metcalf: Chuck Abernathy
Paravicini: Frank Le Doux
Miss Casewell: Evelyn Eoff
Sgt Trotter: Jared Burkholder

CREW:
Director – Beverly Crain

27402 Ramona Bowl Road
Hemet, CA 92544
playersrhp@ramonahillsideplayers.org


Then we also have auditions for our final production of the 2024-2025 Season.  Come to auditions to get involved.

Ramona Hillside Players in Hemet, CA will hold open auditions for “The Musical Comedy Murders of 1940”.
Written by John Bishop
Directed by Danny Guerrero

Auditions March 24th & 25th, 2025
All auditions begin at 7:00 PM

Performance dates are May 23rd, 24th, 25th, 30th, 31st, & June 1st, 2025 @ RHP in Hemet

The audition will consist of cold readings from the script. Please come prepared with a resume, headshot (It doesn’t need to be professional. A regular picture of yourself will do), pen/pencil, and a list of conflicts.

THE STORY: The creative team responsible for a recent Broadway flop (in which three chorus girls were murdered by the mysterious “Stage Door Slasher”) assemble for a backer’s audition of their new show at the Westchester estate of a wealthy “angel.” The house is replete with sliding panels, secret passageways, and a German maid who is apparently four different people—all of which figure diabolically in the comic mayhem which follows when the infamous “Slasher” makes his reappearance and strikes again—and again. As the composer, lyricist, actors, and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the “Slasher” unmasked—but not before the audience has been treated to a sidesplitting good time and a generous serving of the author’s biting, satiric, and refreshingly irreverent wit.

CAST OF CHARACTERS:
*** All Ages are Relative ***

Helsa Wenzel
Helsa is the maid of the Grossenknueten estate.

Elsa Von Grossenknueten
Elsa is the eccentric owner of the mansion and is the financial backer of many musicals. Elsa summons the group together in an attempt to find out who murdered her “friend” Bebe McAllister. She is extremely eccentric, and thinks that the idea of chasing after a killer is great fun. Her grandfather was a spy, and she claims that espionage runs in her blood.

Michael Kelly
Kelly is an undercover cop. Elsa appeals to him to help solve the mystery of the Stage Door Slasher, and Kelly at first pretends to be her butler. Kelly’s tough, no-nonsense attitude puts him at odds with Elsa and the dramatic types that visit. He eventually reveals his identity as a New York police officer, much to Elsa’s dismay.

Patrick O’Reilly
O’Reilly claims to be an Irish tenor, but he is very suspicious, especially with regard to the mysterious Helsa. The two engage in a physical brawl. Eventually, O’Reilly claims to be “Tony Garibaldi”, an undercover cop with a Bronx accent-only to reveal himself as a Gestapo Agent named Klaus Stansdorff, sent to find German defectors.

Ken De La Maize
Ken is a “typical” director, speaking of theater as a “pure art.” He also has an annoying habit of name-dropping, constantly citing the various celebrities he has worked with over the years. Everyone always claims to have seen the films he makes, only for him to reveal that they have not yet been released.

Nikki Crandall
Nikki is considered a typical chorus girl-but she is eventually revealed to be Ensign Nicole Crandall, of United States Naval Intelligence. Her secret mission was to find the Germans who were sent over to sabotage the American war efforts. She is also interested in solving the mystery of the Stage Door Slasher, and helps to break the code in Bebe’s notebook.

Eddie McCuen
Eddie is the out of work comedian that ties the different story lines together, and goes from being cowardly at the beginning of the play to heroic at the end. He is attracted to Nikki, but fumbles when he tries to talk to her. He was a replacement for an actor, and thus has no connection to Manhattan Holiday.

Marjorie Baverstock
Marjorie is a Broadway producer. She constantly flatters everyone around her, and speaks in elevated language; her “new word” is “divoon.”

Roger Hopewell
Roger is the composer for “White House Merry-Go-Round”, and Bernice’s partner; the two have had a string of Broadway hits. Roger enjoys teasing Ken about his artistic ways, and makes snide remarks throughout the play, but flares up whenever someone insults his musical style. He also knows how to deal with Bernice’s many quirks.

Bernice Roth
The perpetually thirsty lyricist, she is Roger’s partner. Bernice is very odd and emotional, frequently losing her composure and screaming.

27402 Ramona Bowl Road
Hemet, CA 92544

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